i saw you running through my playground

maura @ 9:38 pm

Last week on my walk to work I listened to a podcast interview with Alison Pugh, a sociologist who just wrote the book Longing and Belonging: Parents, Children and Consumer Culture. She spent three years observing kids and interviewing parents of varying socioeconomic statuses in Oakland, CA. The results of her study suggest that kids want what their peers have much more than what consumer marketing tells them to want (though advertising does still influence their consumer desires).

She found that often the most desired toys are electronic and that most kids tended to have these toys, regardless of their family’s income level. One interesting finding is that affluent parents were much more likely to buy items viewed as basic or necessary toys (bikes, blocks, etc.) in addition to the coveted electronic toys. Poor parents tended to buy only the items that carried the most social weight so, for example, they wouldn’t have a bike but they would have a Wii. And, many affluent parents eschewed electronic toys altogether, though they bought plenty of other toys for their kids.

Two things that my brain’s been chewing on ever since:

1. This pattern totally fits with what I’ve observed in my (and Gus’s) lives and interactions with his peers and their parents. And I find it so interesting when compared to James Paul Gee’s thesis from What Video Games Have to Teach Us About Learning and Literacy. He concluded that video games can teach kids lots of good stuff (reading, problem-solving, critical thinking, etc.) in ways that make them eager and excited to learn. But he cautioned that poor kids aren’t getting the same opportunities to experience the benefits of video games as are more affluent kids. According to Pugh’s work, most kids do have video game systems, regardless of their family’s income level. So that’s good.

2. About halfway through listening to the podcast I thought to myself, “well, that’s totally obvious.” Which was the same reaction that Jonathan had when I told him about the interview later on. And then I realized OMG, we are the studied! I’m the target population, so of COURSE it seems obvious to me – I live it. I’ve been getting reading and thinking about anthropology lots lately (and, w/my new research project, even doing some), and it was a weird feeling to realize that I was on the other side of the table, ethnographically speaking.

Sounds like a cool book — I definitely plan to read it.

here’s your future: it’s gonna rain

maura @ 9:39 pm

I’ve been mentally blogging all day in discrete paragraphs rather than sustained narrative, so I’m going to kick it list-style here tonight:

1. After multiple recommendations I finally got my hands on some Thermals records. And they are awesome! Good for listening to while cleaning the stacks of papers off your desk, arranging the fall workshop schedule, and doing the dishes. Since it has rained here for a million billion jillion days straight, the line that’s the title of this post seems particularly apt.

2. Seriously, it has rained for a million billion jillion days straight. I mean, I used to dig in Ireland, I know from rain. I finally bought some big tall boots, but this is still getting pretty old. No rain today but the forecast for the weekend looks ominous, bah.

3. Last week we went to the curriculum share at Gus’s school to see all the fantastic work they’ve done all year. I am completely in awe of his teacher: she took those 27 kids on a ton of field trips all over the city (they studied a lot of architecture this year), including walks over the Brooklyn, Manhattan AND Williamsburg bridges (not all in the same day). Among the work Gus showed us was a book he made entitled “All Kinds of Awesome Poems By Gus.” Which makes me giggle every time I think of it.

4. I finally cleared a whole bunch of random old photos off my phone recently. Here are two:

This is from a crazy place with tons of inflatable stuff to climb on called Bounce U that we went to with friends earlier this year. Gus had a blast, predictably.

There’s a fun public art project all along a street near my work for which lots of people knitted cozies for the parking meters! It’s amazing, very Doctor Seussian. I took this photo right after the cozies were installed — they look much more droopy now that they’ve been rained on for a month. You can get a better look in the nice Flickr photostream and there’s also more info in the Times.

heads roll and heads roll

maura @ 11:26 pm

My birthday was last week. It was a good day: I went to Library Camp and ate chocolate cupcakes w/vanilla buttercream frosting, yum. (not at the same time, though.) I am also old finally enough now. “Old enough for what?” you may ask. And I will answer: “everything.”

Among the lovely wishes + gifts, I got the latest release by 50 Foot Wave: “Power + Light.” 50 Foot Wave is Kristin Hersh (of Throwing Muses fame)’s other band, and they are loud + rocking. Lately this old lady has been all about the rock music, and I am happy to report that this scratches my rock itch. (Which sounds kind of yucky, actually.)

But that’s not what I want to blag about. What I really want to do is give big ups to Kristin & Co. because they have escaped the shackles of the recording industry and are kicking it open access-style. They founded Cash Music as an alternative means of music distribution. They released this new record on beautiful vinyl (choice of 4 colors! I picked cyan), which you can buy. And they also made the mp3 of the whole dang record available to download for free. Which kicks ass for me because now I don’t have to sit there making sure the cats don’t mess w/things while the USB turntable rips the vinyl to mp3. And of course the whole dang thing is Creative Commons licensed, so others can mix + mash these tracks as the spirit moves them.

I’ve been interested in open access/source kinds of things for a while, I guess, but I’ve gotten more and more passionate about those issues since I became a librarian (don’t get me started on the absurdities of scholarly journal publishing). Of course music/content/art producers need to get paid for the good work they do, but so many of them are held hostage by the recording/publishing industry. These models are broken. I’m not sure what the answer is — I don’t think we’ll know that for a while yet — but I’m 100% convinced that things like Cash Music are a step in the right direction.